Ray (Elle Fanning) is a transgender high-school boy who desperately wants to begin hormone therapy, a development that leads to much hand-wringing from his mom, Maggie (Naomi Watts), and grandmother Dolly (Susan Sarandon). The three live together in a charming, ramshackle East Village apartment along with Dolly’s girlfriend, Frances (Linda Emond). Ray’s father, Craig (Tate Donovan), is out of the picture, but because Ray is a minor, he requires a signature from both parents in order to proceed with the reassignment process. Cue a messy family reunion, and at least one dramatic revelation.
Many critics wish it had been fixed even more. Its Tomatometer score (Rotten Tomatoes) is currently at 30%.
Christy Lemire, Rogerebert.com: “A movie can mean well but not necessarily work well. Being tasteful can get in the way of being truthful. Such is the frustrating case of ‘3 Generations,’ which takes on the topic of gender dysphoria with a talented cast but not much to say.”
Alonso Duralde, The Wrap: “It’s a film that positively reeks of good intentions, but it’s so timid and tentative — the words ‘trans’ and ‘transgender’ are never uttered aloud — that it feels as hopelessly retro as casting a cisgender actress in the lead. Fanning does fine work, but the current habit of not hiring trans performers to play trans characters is going to feel very dated very soon.”
Jesse Hassenger, AVClub: “Many scenes and sequences end abruptly, indicating that there may well have been a longer cut of the movie, which may well have played better than this one.”
Watch the trailer below:
Depiction of Transgender Issues
Alonso Duralde, The Wrap:
…Yes, many parents have a difficult time understanding their children’s transitions, but the characters presented here are all artsy New Yorkers, so the idea that they’ve had no interaction with trans people never rings true. As for Ray, he has not one trans friend — not even online, where he would presumably be posting his auto-documentary shorts on YouTube and finding others going through similar life stages. And given that he’s known he was a boy since the age of four, he seems ill-equipped to discuss the subject with his well-meaning relatives.
Joe McGovern, ew.com: “Nine out of 10 scenes in the film involve the characters hurling insults at each other while seeming miserable in their fantastic Manhattan brownstone. Some of the screaming fights yield challenging points of conflict: Sarandon’s character, for example, thinks it’s antifeminist that ‘my granddaughter wants to be a grandson’.” Christy Lemire, rogerebert.com: “Theoretically, you might expect that because Dolly is a lesbian, she’d be more understanding of Ray’s desire to assert his true self; the fact that she isn’t is one of the film’s more intriguing—yet unexplored—elements.”
Emily Yoshida, Vulture: “…(I)t feels more like a checklist lifted from a pamphlet about things to expect when your son or daughter comes out — well-meaning, emotionally unimaginative, and always at arm’s length.”