What does remake-of-a-remake-of-a-remake A Star Is Born, with Lady Gaga (Ally) and Bradley Cooper (Jackson), depict that some viewers may find troubling? Ahead are possible triggers and spoilers from review excerpts.
Britt Hayes, ScreenCrush: “…a perfect reflection of institutionalized misogyny; it is a movie that is very much of our time, but we are living in a time that demands so much more — at the very least, criticism of a world in which the best a woman like Ally can hope for is marrying into fame with an alcoholic because he’s the only person who ever admired her nose.”
Misogyny and Boundaries
Headline by Aja Romano, Vox, is “A Star Is Born has a problem with consent”:
Throughout the film, Lady Gaga’s character, Ally, says no, and her ‘no’ is always converted into a ‘yes’ by men. This happens again and again, from every man around her: her father and his friends…
Narratives where a woman’s no always means yes directly contribute to rape culture. Sexual harassment and assault occur in part because men are taught to view women as saying no when they mean yes, and to wear women down through repeated asking until their no changes into a yes.
Ally’s Mental Health
Aja Romano, Vox: “Despite the number of lines given to its female star, no version of A Star Is Born has ever cared about her psychological makeup, pivoted around her decisions, or given her much agency over her own career.”
Jackson’s Addiction and Emotional Abuse
Robyn Bahr, Vice: “…It’s truly one of the best cinematic examples of an emotionally abusive relationship I’ve ever seen. And much like real life, it’s hard to detect when toxic behavior crosses the line into systematic emotional abuse.”
Jackson’s Mental Health
Elizabeth Cassidy, The Mighty: “While Jack goes to rehab, which happens in other renditions as well, we could expect Jack to seek more mental health treatment than would have been available in the ’30s, ’50s or ’70s.”
Aja Romano, Vox: “When he ultimately realizes his disgrace is hurting Ally’s career, he decides to die rather than continue hindering her rise. It’s framed as a tragic, noble sacrifice — but while it’s absolutely a tragedy, it’s anything but noble, because it’s brought about in part by his inability to see Ally and her career as existing apart from him.”
Britt Hayes, ScreenCrush: “While the impetus for his relapse (Ally’s producer makes a couple cruel comments) seems flimsy, the actual relapse and subsequent suicide are deeply upsetting — and borderline triggering for anyone who’s lost a loved one to addiction.”
Li Lai, Mediaversity Reviews:
By all means, go and enjoy A Star is Born. Cooper and Gaga bare their souls in this film, and that level of vulnerability is brave and laudable. But know that its 1937 story goes wholly unchallenged and can be discomfiting to watch in certain scenes, especially given these current times where, much like Ally, women continue to be controlled by broken men with too much power in their hands.
Robyn Bahr, Vice: “Jackson Maine is a tragic character because of the childhood neglect he suffered and the heartbreaking choice he makes at the end of the film. But his inner demons don’t absolve him from inflicting devastating control over the woman who loves him and, hopefully, viewers see that message loud and clear.”
Aja Romano, Vox:
A Star Is Born keeps being remade because Hollywood is besotted with the mechanics of stardom, refracted here through a lens of male power and female submissiveness. It’s deeply frustrating that this story has reappeared, with all its problems, at a moment when we’re taking a hard look at the very kinds of power imbalances and consent issues within the industry that this film reifies, and even romanticizes. Maybe by the time the next remake comes along in another 20 years or so, we’ll have finally figured out that it’s really just a bad romance.