A current and well-reviewed film from first-time director/screenwriter Sean Durkin is Martha Marcy May Marlene (2011). The plot according to IMDB: “Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.” Following her escape, she winds up staying with her sister (Sarah Paulson) and brother-in-law (Hugh Dancy).
Explanation of the title: Lead character “Martha” is given a cult name of “Marcy May” by the cult leader and is also dubbed “Marlene” by a fellow cult victim. She’s played by Elizabeth Olsen (sister to the more famous Olsen twins), who’s received stellar reviews.
Cult leader Patrick (John Hawkes) is described thusly by reviewer Anthony Lane (The New Yorker): “Like any good cult leader, he is a terrifying parody of a father figure, intent on making his kin feel at home. He has them fed, housed, and warmly encouraged—’You’re my favorite, and I won’t lose you,’ he says to Martha. He also rapes them.”
Lisa Kennedy, Denver Post: “Durkin depicts a horror that some among us actually live, where the search for family leads to something familiar and dangerous.”
Steven Rea, Philadelphia Inquirer: “Olsen inhabits Martha’s broken world completely. And at the movie’s end – a jarring, boldly ambiguous end – we’re in her head, too, not sure what is real, and what is not.”
Andrew O’Hehir, Salon: “…an utterly gripping ride that will keep you guessing until the last second about what is real and what imagined, and whether Martha has entirely snapped the tether of sanity.”
Peter Bradshaw, The Guardian: “It’s acted and directed like a sensitive drama, rather than a scary movie, and is all the scarier for it.”
A.O. Scott, New York Times: “[Martha] remains a blank space in the middle of a film that is an impressive piece of work without achieving quite the emotional impact it intends….Patrick periodically criticizes his disciples, including Martha, for failing to be open enough with him, and that is also a shortcoming of ‘Martha Marcy May Marlene,’ which is a bit too coy, too clever and too diffident to believe in.”