Kind of continuing the Halloween theme, today I present clips from two movies, The Prince of Tides (1991), and an upcoming release, A Dangerous Method (2011). The scariness today, though, relates to therapist boundaries.
#1. The film adaptation of the best-selling novel The Prince of Tides by Pat Conroy could have been better in many ways. But, even though many readers were disappointed, it did receive a good number of film/acting award nominations. Here’s the trailer:
So, did you get the picture from that? Nick Nolte‘s married character, Tom Wingo, travels to New York and tries to help Dr. Lowenstein (Barbra Streisand) help his suicidal sister. In essence, he’s a family member also receiving therapeutic services from Lowenstein—but can you tell that she doesn’t appear to see it quite that way?
The following brief clip zeroes in more closely on a pivotal point in the evolution of Wingo and Lowenstein’s inappropriate relationship:
This film is scary because (A) Nick Nolte actually earned a Golden Globe for this, (B) many of the movie’s fans thought it was a great romantic drama, (C) the film was actually billed and marketed as a romantic drama, or (D) the therapist violates major ethics.
If you answered any or all of the above, well, at least you agree that this clip is scary.
#2. A Dangerous Method is new and won’t be released in the U.S. until 11-23-11. Its plot borrows from a chapter in psychoanalytic history when Freud mentored Jung. This excerpt from the Variety review (the film was seen at the Venice Film Festival earlier this year) further introduces it:
Less concerned with the treatment of mental illness than with the way social norms encourage the suppression of human impulse, Christopher Hampton’s exceptionally coherent, literate script (adapted from his play “The Talking Cure” and John Kerr’s 1993 book “A Most Dangerous Method”) hinges on an unorthodox experiment Jung undertook with Sabina Spielrein, a Russian Jewish woman whom he treated for hysteria, and who later became a significant psychoanalyst in her own right.
Now, watch the trailer to see what kind of “experiment” was allegedly undertaken:
Reviewer Shaun Monro recently called this movie “…a well-acted skewering of overreaching psychology.” Overreaching. Good word.
Interesting that we have so few movies that attempt to represent the field of psychotherapy, and when we do, so few of them are not about the violation of therapist boundaries and ethics.
And that’s scary in and of itself.