Aug 28

“Hateship Loveship”: Quiet Caregiver with Interpersonal Issues

In Hateship Loveship, a movie adapted from a short story by Alice Munro and directed by Liza Johnson, quiet and naive Johanna Parry (Kristen Wiig) starts working for a gruff elderly man, Mr. McCauley (Nick Nolte). His teenage granddaughter Sabitha (Hailee Steinfeld), who lives with him, cruelly tricks this new caregiver into believing that her father Ken (Guy Pearce) has romantic interest in her.

An important piece of the back story: Sabitha’s mom is dead because of an incident in which Ken was drunk at the wheel.

Justin Chang, Variety, explains how Sabitha’s con has roots in Ken’s kindness to Johanna: “…(H)e leaves the new housekeeper a note of encouragement — a nice gesture that Johanna, unaccustomed to being treated kindly or flirted with, takes it upon herself to answer. But her letter is intercepted by Sabitha and her troublemaking best friend, Edith (Sami Gayle), who, rather than mailing it as promised, write back to Johanna pretending to be Ken. With the unthinking malice that can come so easily to teens with technology at their disposal, the girls initiate a friendly and increasingly intimate email correspondence with the unsuspecting Joanna, who becomes thoroughly smitten with the man she thinks is keeping up his end of the conversation.”

Other notable characters in the film include Jennifer Jason Leigh as Ken’s drug-addicted girlfriend and Christine Lahti as a bank employee who might become a romantic interest for Mr. McCauley.

Watch the trailer below:

JOHANNA

Sheila O’Malley, rogerebert.com“She has worked in the service of others, as a housemaid/nanny/nurse since she was 15. Her voice is soft and flat, and when she speaks, she uses functional practical language. She has feelings about the families with whom she lives, but you would never guess any of it looking at her face. She has no self-pity. And so, when Johanna suddenly awakens to love, early on in ‘Hateship Loveship,’ it is both electrifying and perilous. She is not used to being overwhelmed with feelings, sexual and romantic, and she doesn’t know how to behave; she doesn’t know where to put it all.”

Justin ChangVariety:It’s an on-the-nose metaphor, perhaps, but for this quietly capable woman, cleaning house isn’t just a responsibility but also an escape, a form of therapy, and a far more practical solution than sulking or lashing out.”

Ann Hornaday, Washington Post: “…(W)e’ve never seen a protagonist quite like Johanna, who on the one hand personifies female self-abnegation at its most domesticated, but on the other embodies the sheer will at its most stubborn. She knows the value of elbow grease, whether she’s redeeming a dirty kitchen floor or even a scruffier human soul.”

KEN

Sheila O’Malleyrogerebert.com: “His kindness to Johanna is not targeted or creepy, but automatic and casual. He is filled with self-loathing over his mistakes: his drug addiction, being a terrible dad unable to take care of his daughter, and knowing that everyone thinks he is a loser….’Hateship Loveship’ lets him be complex. It doesn’t ask us to come down on one side or the other. His actions are often reprehensible. And sometimes he is beautifully warm and accepting. Both are true.”

Oct 31

“Dolores Claiborne”: A Different Kind of Horror Film

This is a horror story, all right, but not a supernatural one; all of the elements come out of such everyday horrors as alcoholism, wife beating, child abuse and the sin of pride. Roger Ebert, reviewing Dolores Claiborne

Generally classified as either a psychological thriller or crime fiction or suspense or mystery, the 1995 film Dolores Claiborne, which was based on the bestselling book by Stephen King, is often considered underrated and undernoticed.

I saw it way back when, liked it, but now don’t have enough recall to be able to describe it adequately. Interestingly, a search for reviews/summaries found that almost all were of the male-written variety. Although many of the critiques were favorable, I have to wonder if this female-powered process-oriented movie with themes of mistreatment by men would have fared better had it gotten more press by women.

Oh well. At least Dolores lives on—not only can it still be seen in the comfort of your home but King’s book has recently been adapted for the opera stage in San Francisco.

Another interesting fact? King wrote the book with Misery maven Kathy Bates in mind as the lead character. And Bates did, in fact, wind up playing her in the movie. Brian Lowry, Variety, summarizes the plot and lead characters/actors:

Accused of murdering the old woman for whom she’s cared the past 22 years, Dolores is forced to confront her estranged daughter (Jennifer Jason Leigh) and the mysterious death two decades earlier of her abusive husband, deemed an accident at the time despite the suspicions of the detective involved (Christopher Plummer).

Leigh’s Selena is a high-strung magazine writer who still blames her mother for the death of her father (David Strathairn), who, through a series of flashbacks, is shown to be a truly despicable character.

You can watch the trailer here:

Another source, jtonzelli.com, addresses why Dolores Claiborne belongs in the realm of horror: “While Dolores Claiborne is not a traditional horror film per se, horrific themes are definitely at play here. There is an unrelenting darkness, along with several disturbing scenes that lend itself to our genre. While it may not be about horrific creatures that hide in the dark, it is very much about horrific human beings and what they are capable of doing to people they claim to love. It is about the horror of memory, time, betrayal, and so many other weaknesses that make humanity just as flawed as we are intriguing.”

If you prefer your horror to be of the more realistic type, then, Dolores Claiborne just could be your cup of poison tea.