‘Wonder’ Makes A Case For The Classic Tear-Jerker. Leigh Blickley, HuffPost
Anti-Bullying Tale Is a Tasteful Tear-Jerker. Alonso Duralde, The Wrap
...a tear-jerker that earns your tears. Chris Nashawaty, ew.com
Get the picture? Stephen Chbosky‘s new film Wonder is a wonder-ful weepie.
Its power cast includes Jacob Tremblay (the boy in the critically acclaimed 2015 Room) as well as Julia Roberts and Owen Wilson as his parents.
Description of the plot from Rotten Tomatoes:
Based on the New York Times bestseller, WONDER tells the inspiring and heartwarming story of August Pullman. Born with facial differences that, up until now, have prevented him from going to a mainstream school, Auggie becomes the most unlikely of heroes when he enters the local fifth grade. As his family, his new classmates, and the larger community all struggle to find their compassion and acceptance, Auggie’s extraordinary journey will unite them all and prove you can’t blend in when you were born to stand out.
Gleiberman points out that the title of R.J.Palacio’s novel (2012), on which the film is based, derived from Natalie Merchant‘s old song about a female overcoming a physical disability. I know it well: Doctors have come from distant cities, just to see me/Stand over my bed, disbelieving what they’re seeing…
As for the film’s style, apparently it follows the book’s lead. Sheri Linden, Hollywood Reporter:
The narrative is divided into chapters, each dedicated to the perspective of one of the young characters, and sometimes doubles back on events, lending new facets and dimension. First up is Auggie, who enters the fifth-grade fray with the slouch of someone who’d rather not face other people’s discomfort. His older sister, Via (sensitively played by Izabela Vidovic), gets a chapter, as do her former best friend, Miranda (Danielle Rose Russell), and Auggie’s new school buddy Jack (Noah Jupe), a genial scholarship student with an unsteady sense of loyalty. With commendable concision and insight, the film sympathetically reveals the challenges they each face on the home front. Even the villainous Julian gets a redemptive aha moment.
Alonso Duralde, The Wrap: “…a celebration of empathy, a reminder that even the people who might be making us miserable have their own problems and their own people who are making them miserable.”
Owen Gleiberman, Variety: “…a drama of disarmingly level-headed empathy that glides along with wit, assurance, and grace, and has something touching and resonant to say about the current climate of American bullying.”
Courtney Howard, Fresh Fiction: “It’s probably not a shocker to learn [this] is gonna make you cry. What is a heartrending surprise is how gently it delivers its earnest profundity on the ripple effect of kindness.”
David Ehrlich, IndieWire: “It’s a how-to guide for kindness — a good lesson for kids, and a helpful reminder for adults. It’s not like the world couldn’t use one.”
Kenneth Turan, Los Angeles Times: “Despite all these people orbiting around him, Auggie remains ‘Wonder’s’ main event, and though its upbeat earnestness is ever-present, it has the integrity to understand that not even kindness can eliminate all problems.”