All I can really do is write my own misdiagnosis of your life. Gayle Brandeis, author of The Art of Misdiagnosis
So states Gayle Brandeis, author of The Art of Misdiagnosis: Surviving My Mother’s Suicide, in this brief trailer to her new book:
The book’s title takes its name from the documentary Brandeis’s 70-year-old mother Arlene was working on “about the rare illnesses she thought ravaged her family: porphyria and Ehlers-Danlos syndrome.”
“Whether they were psychosomatically induced or not,” states Kirkus Reviews, “Arlene attested that the illnesses had been repeatedly dismissed or misdiagnosed by the medical community; even the author herself admits to suffering, as a teenager, from a combination of malingering and factitious disorder.”
In an interview with Mutha Magazine, Brandeis states the following about the origins of her book The Art of Misdiagnosis:
My therapist suggested writing a letter to my mom (such great advice!) and that became a thread of the book. The time around her suicide begged to be told in present tense. And as I dug through our old emails and files and the like, certain pieces jumped out at me as needing to be part of the narrative. It took a lot of time and finessing to fit the puzzle pieces together, but the pieces revealed themselves to me with bells on.
What was going on for Brandeis when she lost her mom? Melissa Wuske, Foreword Reviews:
Brandeis’s mother committed suicide one week after Brandeis had a baby. Those deeply contrasting experiences set the scene for the opening of this memoir: a daughter going through her mother’s things, trying to make sense of her death.
And this quest winds up involving a “compulsive, contagious need to know her mother and herself.”
As author Nick Flynn writes in his review: “John Cassavetes offers this: ‘When a character can’t find his way home, that’s where the story begins…’ Gayle Brandeis begins her story where it ends, then slowly—thoughtfully, painfully, lovingly—works her way back. It all circles around a handful of days, where everything happens—birth, death, truth, transformation.”
More about the overall process Brandeis experienced, from Kirkus Reviews:
Desperate for answers, she and her sister fruitlessly scoured their mother’s bedroom, which, much like the woman herself, appeared ‘lovely and elegant on the surface, total chaos underneath.’ The author’s reality soon became even more complex: she wrestled with the grief of her mother’s sudden death, processed her complicated history of paranoia, suspicion, and delusions, and nurtured her newborn. This frustration bleeds into the text as Brandeis recounts episodes where her mother’s inexplicable accusations wreaked havoc on her pregnancy and her marriage. The author then reveals her mother’s history of psychosis, which seemed to stem from the author’s pregnancies, with which Arlene became obsessed.
Author Caroline Leavitt‘s review:
Deeply compassionate, and breathtakingly brave, Brandeis’ memoir is a raw, unflinching trip down a rabbit hole, unspooling both the chaotic life of her mentally unbalanced mother, and how her mother’s obsession with physical illness crash-landed Brandeis’ own life—and health—from girlhood to marriage and motherhood. About the stories we desperately need to make of our lives in order to survive, and how the body sometimes speaks what the mind dare not, this is also an extraordinarily moving portrait of a troubled mother, and of the daughter who fearlessly, poetically, writes her way into discovering her truest self. Truthfully, I am in awe.
On her website Brandeis provides resources for others dealing with suicide.