Welcome Home. Get uncomfortable. Tagline for This Is Where I Leave You
This Is Where I Leave You is the type of star-studded dysfunctional-family dramedy you might get kinda excited about after seeing the previews:
But then you find the disappointing reviews. Many say it’s a predictable and not-funny-enough, not good-enough script—adapted, incidentally, by Jonathan Tropper himself, the author of the 2009 best-selling novel.
Cynthia Fuchs, Pop Matters, sums it all up: “Girls want babies, boys want reassurance, girls nurture, boys need to wander. Dad is dead. Long live formula.”
Despite this, you dig even deeper into what the critics are saying. Alas, you find out that not one, but two, therapists are (once again) depicted badly.
More About the Plot and Characters
Rodrigo Perez, IndieWire, describes “the doyenne of the household” (Jane Fonda) as “an audacious TMI-sharing psychiatrist whose bestselling book exploited her own family’s dysfunction for her gain, much to their resentment.” Fonda’s character Hillary posits, “Secrets are a cancer to a family.”
Here’s a rundown of the rest of the brood, per Perez:
…(O)f course the family in question is composed of nondescript characters and recognizable stereotypes. Bateman once again appears in his favorite role: the perpetually exasperated ‘rational’ guy who has to navigate his neurotic and irrational family. There’s Paul (Corey Stoll), the older resentful brother who can’t get his wife (Kathryn Hahn) pregnant. Phillip (Adam Driver), the baby of the family, is an unreliable, juvenile shithead who’s now dating his cougar-esque ex-therapist (Connie Britton). Wendy [Tina Fey] has two kids, a neglectful, asshole workaholic husband (Aaron Lazar), and still pines for an old boyfriend who suffers from a head injury that’s made him slow (Timothy Olyphant). Rose Byrne co-stars as a girl from Judd’s past that just might be the woman he needs now (how opportune!). Unsurprisingly, no one’s happy, everyone’s dealing with different levels of pain and hardship, and that’s life, right?
Although viewers know Hillary’s adult kids aren’t happy with their mom’s oversharing, specifically how other family members react to Phillip’s new relationship and/or to the boundary-breaking therapist he’s seeing is info I couldn’t find.
Chris Nashawaty, ew.com, concludes the following, however, about the various characters’ representations: “The movie is so festooned with clichés it proves that Tolstoy was dead wrong when he wrote that every unhappy family is unhappy in its own way. This clan is just like the one in August: Osage County (or Home For the Holidays or The Family Stone), only with more eye-rolling one-liners about Jane Fonda’s cantaloupe-sized breast implants. It’s a misfire that’s especially confounding considering that you couldn’t ask for a more promising cast of brother-and-sister bickerers.”
Todd McCarthy, Hollywood Reporter: “You laugh in spite of yourself in This Is Where I Leave You, a potty-mouthed comedy with enough exasperation, aggravations, long-standing grievances and get-me-outta-here moments of family stress to strike a chord with anyone who’s ever had to endure large clan gatherings that might have lasted a bit too long.”
Scott Foundas, Variety: “Sitting shiva makes the heart grow fonder (and the libido rage and the repressed grievances runneth over) in ‘This Is Where I Leave You,’ a sprawling ensemble dramedy that starts out like a full-tilt sit-com and gradually migrates to a place of genuine feeling.”
Rex Reed, New York Observer: “The actors all seem lost and jittery. The direction seems phoned in while waiting in line at some suburban ATM machine. If you crave freshness, originality or quality, cherish the decision to pass up This Is Where I Leave You and be content with the knowledge that you didn’t miss a thing.”