Over the weekend I saw the new movie Young Adult, a comedy/drama starring Charlize Theron, and featuring the same combo of writer and director, Diablo Cody and Jason Reitman, behind the success of Juno (2007).
Since seeing it, I read an article by Dan Persons, film journalist, and liked what he had to say regarding the release of this film during the holiday season: “Bless screenwriter Diablo Cody and director Jason Reitman their twisted, little hearts. In a season rife with people bettering themselves through moody introspection, they introduce us to Mavis Gary (Charlize Theron), author of young adult novels and a woman who looks within and comes away with all the wrong lessons.”
His point? “Young Adult isn’t season-specific, but it does serve as a healthy counterbalance to all that holiday growth and belonging…”
Theron’s character Mavis, as described by critic Christy Lemire (Boston.com), is “an anti-heroine who makes no apologies for her deplorable behavior.” In addition, she’s depressed and knocks back hard liquor like there’s no tomorrow—and it clearly isn’t doing her any favors. And, with an unhealthy megadose of narcissism, her main quest in life, at the age of 37, is to bulldoze her way back into the arms of her old high school boyfriend—who’s now happily married with a newborn.
In the end, although very impressed with Theron’s acting, I wasn’t sure how I felt about the overall story. Yes, it had held my interest. But…
A few hours later, though, it caught up to me, and I found myself thinking more about the meaning and impact of Young Adult. As Robert Levin, The Atlantic, concludes: “It trades in discomfort and unease, not catharsis. That’s an achievement worthy of admiration, if you can endure it.”
And Roger Ebert‘s sentiments also come close to my own feelings: “As I absorbed it, I realized what a fearless character study it is. That sometimes it’s funny doesn’t hurt.”
I would add, though, that the character is so damaged that some of those so-called funny moments—the ones that produced laughter from the people around us while my partner and I looked at each other questioningly—also do hurt.
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