…Louder Than Bombs is interested in the intersection between grief and memory, and how difficult it is to capture both either through photography or film. Brian Tallerico, rogerebert.com
Looking for an intense dysfunctional-family drama? David Rooney, Hollywood Reporter, sets up Joachim Trier‘s 2015 Louder Than Bombs, seemingly overlooked in theaters but now available on DVD: “Three years after the death of celebrated war photographer Isabelle Reed (Isabelle Huppert), a major exhibition is being planned and her longtime colleague Richard (David Strathairn) is writing a New York Times feature pegged to the opening. We learn via a quick montage of award speeches, interviews and news reports that Isabelle did her best work by remaining in conflict zones after the tanks pulled out, in order to capture the consequences of war. It’s also revealed that she died not in the field but shortly after retiring, in a road accident just a few miles from her home in Nyack, New York.”
Isabelle’s husband, Gene (Gabriel Byrne) learns from Richard some fuller details of her death, which seems to be a suicide. Gene needs time, he says, in order to prepare his youngest son, who hasn’t known.
Meanwhile, his older son Jonah (Jesse Eisenberg) comes back home to look through her stuff in preparation for the upcoming exhibition.
The trailer:
Themes and Meaning
Bilge Ebiri, Village Voice: “A fractured film about a fractured family, Louder Than Bombs takes a potentially tired premise and reshapes it before our eyes…a story of parents and children in which we’re pulled by the currents and countercurrents of desperation, depression, and love.”
Sasha Stone, The Wrap: “…(W)hat are we obligated to tell our loved ones? What are we obligated to tell our wives to prevent their getting hurt by the things we do? What are the benefits of deception? What is the eventual harm?”
Selected Reviews
Michael O’Sullivan, Washington Post: “Along with his regular co-writer Eskil Vogt, Trier has crafted a profoundly beautiful and strange meditation on secrets, lies, dreams, memories and misunderstanding.”
Michael Rose, Huffington Post: “Some might fault Trier for tackling subjects about people who appear to have it all. In ‘Louder Than Bombs,’ the angst of the upper middle class becomes universal as Trier takes us into their struggle to find what it takes to hold a family together.”
Guy Lodge, Time Out : “…(T)he emotional conclusions here can be a little pat, and catharsis too easily come by. It’s more cautiously sound-proofed than its title implies. Only when Huppert’s on screen does the film feel it could detonate at any moment.”
